College Designs — Caroline Dischell Scenic Design

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The tree of life is a collaboration between set and lighting. At the end of the show leaves appear on the tree. Spring is here.

The tree of life is a collaboration between set and lighting.

At the end of the show leaves appear on the tree. Spring is here.

Hermoine pleads her case

Hermoine pleads her case

Time circles the stage

Time circles the stage

Intermission look

Intermission look

The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates at the Asylum of Charenton Under the Direction of the Marquis de Sade University of North Carolina- Asheville Co-designers Caroline Dischell and Rob Berls Dir

The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates at the Asylum of Charenton Under the Direction of the Marquis de Sade

University of North Carolina- Asheville

Co-designers Caroline Dischell and Rob Berls

Director Rob Bowen

October 2016

Cage bars surround the central playing area. These raise and lower at key moments in the play and hang suspended from the grid when not on the stage floor

Cage bars surround the central playing area. These raise and lower at key moments in the play and hang suspended from the grid when not on the stage floor

An actress uses a removable platform piece as a guillotine

An actress uses a removable platform piece as a guillotine

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DSC_1524 sm (2).jpg

DSC_1504 sm (2).jpg

DSC_8595 sm (2).jpg

DSC_1484 sm (2).jpg

DSC_8264 sm (2).jpg

DSC_8283 sm (2).jpg

DSC_8232 sm (2).jpg

DSC_8909 sm.jpg

DSC_8981 sm.jpg

DSC_8896 sm.jpg

The tree of life is a collaboration between set and lighting. At the end of the show leaves appear on the tree. Spring is here.

Hermoine pleads her case

Time circles the stage

Intermission look

The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates at the Asylum of Charenton Under the Direction of the Marquis de Sade University of North Carolina- Asheville Co-designers Caroline Dischell and Rob Berls Dir

Cage bars surround the central playing area. These raise and lower at key moments in the play and hang suspended from the grid when not on the stage floor

An actress uses a removable platform piece as a guillotine